Works Cited

Massumi, Brian. “The Future Birth of the Affective Fact: The Political Ontology of Threat.” The Affect Theory Reader. Ed. Gregg, Melissa and Gregory Seigworth. Durham: Duke University Press Books, 2009. Kindle. (Kindle Location732-992).

Drucker, Johanna. “Humanistic Theory and Digital Scholarship.” Debates in the Digital Humanities. Ed. Matthew Gold. Minneapolis: University Press of Minnesota, 2012. Kindle. (Kindle Location 2343-2583).

Berleant, Arnold. “Art, Terrorism and the Negative Sublime.” Contemporary Aesthetics 7 (2009): n.pag. Web. December 2015.

Sources that have informed my thinking, but were not directly referenced:

Cusick, Suzanne. “’You Are in a Place that is Out of This World…’Music in the Detention Camps of the ‘Global War on Terror.’” Journal for the Society for American Music 2.1 (2008). 1-28. Web. May 2015.

Chuh, Kandice and Mimi T. Nguyen. “On Beauty.” The Graduate Center of CUNY. New York, NY. December 2015.

Daughtry, Martin. “Thanatosonics.” Social Text 32 (2014). n.pag. Web. May 2015.

Slome, Manon. “Aesthetics of Terror.” On Curating 22 (2014): n. pag. Web. December 2015.

Goodman, Steve. Sonic Warfare: Sound, Affect and the Ecology of Fear. Cambridge: MIT Press, 2012. Kindle.

 

Data Sources

Global Terrorism Database, University of Maryland

Department of Peace and Conflict Research, Uppsala Universitet